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JS01-01
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JS01-01 is the first work of the four-way table series, and the shape of the table was reduced with the motif of the four-way table and reinterpreted with a chair. Three-way miter joints and Jebichori joints were done through machine and manual work. It was made by significantly shortening the working time of the table, which was only done by hand. Each plate part can be stored through the original role of the table, so it is practical. Traditional and modern designs coexist with the motif of the four-way table.
JS01-02
walnut, brass
JS01-02 is the second work of the four-way table series. Like 01-01, it is a table with a motif of the feeling of two overlapping each other. Sabangtakja is a multi-story table with all sides open, boasting the most sophisticated shape and pleasant proportion among the wooden furniture of the Joseon Dynasty. There are a total of 16 pieces of three-way miter joints, which are much more complicated than two-way miter joint. There are also 36 pieces of Jebichori joints. Since the two tables are overlapped, there are more objects that can be placed, doubling the practicality.
JS02-01
stainless steel, wood
JS02-01 is a hanger inspired by Kandinsky's concepts of point, line, and plane. These three elements are the foundation of all objects and spaces, forming the essence of art. The design abstractly represents the female body using these geometric components. The work serves as an awareness of the sexualized brain and a critique of the moral decay in society. The hanger was created using bending techniques and tack welding.
JS02-02
stainless steel
JS02-02 is a console featuring 52 different building-shaped forms that resemble an inverted cityscape. It was created as a critique of the direction in which our cities (and world) are heading, suggesting they are moving in the opposite direction of what we desire. Each of the 52 building shapes was crafted from stainless steel using full welding, polished to a mirror finish, and then welded together to form a single console.
JS02-03
stainless steel
JS02-03 is a console and objet d'art inspired by the beauty of Korea's National Treasure, Goryeo celadon. The prunus vase, a type of ceramic vessel, originated during China's Song Dynasty and reached its unparalleled aesthetic beauty through Goryeo potters in the 12th century. These vases are characterized by a voluminous body with attractively curvaceous lines. The silhouette of the Goryeo celadon was created using bending techniques and full welding, reinterpreting the beauty of Goryeo celadon with modern materials.
JS02-04
aluminum, stone
JS02-04, like JS02-03, is a low table and objet d'art inspired by the beauty of Korea's National Treasure, Goryeo celadon. The prunus vase, a type of ceramic vessel, originated during China's Song Dynasty and achieved unparalleled aesthetic beauty through Goryeo potters in the 12th century. These vases are known for their voluminous bodies and gracefully curvaceous lines. The table was crafted using aluminum casting, with stone, similar to that of Goryeo celadon, used for the table base. This design reinterprets the beauty of Goryeo celadon with modern materials.
Process
20240611_234521
1/9
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